Publications by Mark
Clarke
Books
Clarke, M. (2001)
The
Art of All Colours: Mediaeval Recipe Books for Painters and Illuminators. London: Archetype Publications.
Clarke, M. (in preparation) Liber
diversarum arcium: the pre-Eyckian painters manual (Montpellier, Bibliothque de la Facult
de Mdicin MS H 277: Edition, Translation, Commentary).
Papers in
international refereed periodicals
Clarke, M. (1999) A new technique for the non-destructive
identification of organic pigments, dyes and inks in–situ on early
mediaeval manuscripts, using 3–D fluorescence reflectance spectroscopy
(Associazione Italiana Prove Non Destruttive Monitoraggio Diagnostica): 6th.
ed. (art '99), Vol. II, pp. 1421-1436.
Clarke, M. (2001) The analysis of
medieval European manuscripts Reviews in Conservation 2: pp. 3-17.
Clarke, M. (2002)
The analysis of manuscript pigments: why, what and how? Gazette du livre
mdival
40 (printemps 2002): pp. 36-44.
Clarke, M. (2002) Seeking the
invisible: Forensic science at the Parker Library Medieval Academy News No. 144 (winter 2002) p. 8.
Clarke, M. and M. J. Meijers [sic], (2002) Simplification of
near–infrared visualisation techniques for identifying blue pigments in
situ on manuscripts Care and conservation of manuscripts 6, Museum Tusculanum Press (University
of Copenhagen): pp. 242-249 & plates XVII - XIX.
Clarke, M. (2002) Limitations of
fluorescence spectroscopy as a tool for non-destructive in situ identification of organic pigments,
dyes and inks (Associazione Italiana Prove Non Destruttive Monitoraggio
Diagnostica): 7th. ed. (art '2002),
Clarke, M. (forthcoming)
Iron
and tannin in early purple dye recipes Dyes in History and
Archaeology 23 (2003).
Clarke, M. (2004)
Anglo-Saxon Manuscript Pigments Studies in Conservation 49.4: pp. 231-244 (and cover).
Clarke, M. (2004) Really dont trust your eyes to identify
manuscript pigments! Gazette du livre mdival 44 (printemps 2004): pp. 50-53.
M. Clarke, P. Fredrickx, M.P. Colombini, A. Andreotti, J.
Wouters, M. van Bommel, N. Eastaugh, V. Walsh, T. Chaplin, R. Siddall. (2005)
Pompeii Purpurissum Pigment Problems, (Associazione Italiana Prove Non
Destruttive Monitoraggio Diagnostica): 8th ed. (art 2005)
Clarke, M. (2008) Book satchels in
early mediaeval British Isles, Gazette du livre mdival no. 52–53 pp. 16-24.
Clarke, M. P. Fredrickx, L. Speleers,
I. Vanden Berghe, J. Wouters, (in press) Comparative studies of
seventeenth-century Netherlandish red lake glazes in the Oranjezaal, Palace
Huis ten Bosch Dyes in History and Archaeology 22.
Clarke, M. and L. Carlyle, (2005)
Page-Image recipe databases, a new approach for accessing art technological
manuscripts and rare printed sources: The Winsor & Newton archive
prototype in: I. Verger (ed.) ICOM-CC 14 pp. 24-29.
Burnstock,
A., I. Lanfear, K.J. van den Berg, L. Carlyle, M. Clarke, E. Hendriks and J. Kirby (2005) Comparison of the fading and surface
deterioration of red lake pigments in six paintings by Vincent van Gogh with
artificially aged paint reconstructions in: I. Verger (ed.) ICOM-CC pp. 459-466.
Clarke, M. (2008) Contemporary textual
evidence for the use of pigments in Anglo-Saxon England in the absence of
technical descriptions in: J. Bridgland (ed.) ICOM-CC 15 pp. 3-9.
Clarke, M. (2009) A nineteenth-century colourmans terminology Studies
in Conservation 54 pp.
160-9.
Clarke, M. (submitted) Recovery of effaced mediaeval recipes for
painters and illuminators from Brussels Royal Library MS 10152 Bulletin
de la Commission Royale dHistoire
Miguel, C., M.J. Melo, M.
Clarke, J.A. Lopes
(forthcoming 2009) The greens of medieval Portuguese illuminations Revista
de Histria de Arte
Clarke, M. (forthcoming
2009) Evaluating Lost Manuscript Yellows Revista de Histria de Arte.
Contributions to books
Clarke, M. (2003)
Lanalyse de pigments in situ, et sans prelevement, dans les manuscrits medievaux:
lexemple des manuscrits Anglo-Saxons in LArcheometrie au Service des
Monuments et des uvres dart, D. Allart & P. Hoffsummer (eds.), (Dossier de la
Commission Royale des Monuments, Sites et Fouilles 10), Centre Europeen
d'Archeometrie, Lige: pp. 187-194.
Clarke, M. (2003) Materials of the Early
Egyptian, Arab, Islamic and Coptic Book in: The Far Trust, Catalogue
I : Manuscripts No. 01 through 35. Dallas: Brown Books, pp. 176-186,
Clarke,
M. (2003) Report of Technical Analysis [with 35 articles on individual
manuscripts] in: The Far Trust, Catalogue I : Manuscripts No. 01 through 35. Dallas: Brown Books.
Clarke, M. and L.
Carlyle (2005) Page-image recipe databases: a new approach to making art
technological manuscripts and rare printed sources accessible in: M. Clarke et
al.
(eds.) Art of the Past: pp. 49-52.
Clarke, M. (2005) Is
gold an ingredient in Assyrian-Mesopotamian written recipes for red glass? in:
M. Clarke et al.
(eds.) Art of the Past: pp. 24-32.
Clarke, M. and L. Carlyle (2006)
Recipe databases for historical oil painting materials: Winsor & Newton
Archive in: J.J. Boon and E. Ferreira (eds.) Reporting Highlights of the De
Mayerne Programme: Research programme on molecular studies in conservation and
technical studies in art history, The Hague: Netherlands Organisation
for Scientific Research [NWO]: pp. 109-114.
van den Berg, K-J., A.
Burnstock, L. Carlyle, M. Clarke, E. Hendriks, R. Hoppenbrouwers, J. Kirby and I. Lanfear
(2006) Fading of red lake paints after Vincent van Gogh – an
interdisciplinary study involving three De Mayerne projects in: J.J. Boon and
E. Ferreira (eds.) Reporting Highlights of the De Mayerne Programme:
Research programme on molecular studies in conservation and technical studies
in art history, The
Hague: Netherlands Organisation for Scientific Research [NWO]: pp. 89-96.
Clarke, M. (2008) Asymptotically approaching the past:
historiography and critical use of sources in art technological source
research in: S. Kroustallis et al. (eds.) Art Technology: Sources and Methods, London:
Archetype Publications: pp. 16-22.
Clarke, M. (2008)
Nineteenth-century English artists colourmens archives as a source of
technical information, in: S. Kroustallis et al. (eds.) Art Technology : Sources and
Methods, London: Archetype Publications: pp. 75-84.
Clarke,
M. (2008) Middeleeuwse miniaturen in: van Bueren, T., H. Westgeest (eds.) Kunsttechnieken, University of Utrecht
Jilleen Nadolny and M. Clarke (in press) Documentary sources relating to the practice of painting in
Europe, to c.1550 ad in: Joyce
Hill Stoner (ed.) Conservation of Easel Paintings Butterworths-Elsevier.
Clarke, M. (2009) Codicological
indicators of practical mediaeval artists recipes, in Sources and
Serendipity: Testimonies of Artists Practice Edited by E. Hermens and J.H Townsend
(London: Archetype Publications, forthcoming 2009).
Clarke, M. (2009) Writing recipes for non-specialists c.1300: The
Anglo-Latin Secretum Philosophorum, Glasgow MS Hunterian 110, in Sources
and Serendipity: Testimonies of Artists Practice Edited by E. Hermens and J.H Townsend
(London: Archetype Publications, forthcoming 2009).
Clarke, M. (in press) Late mediaeval
artists recipe books (14th-15th centuries) in: D. Ricardo Crdoba de la Llave
(ed.) Craft treatises and handbooks: the dissemination of technical
knowledge in the Middle Ages, Universidad de Crdoba press.
Clarke, M. (in press) The earliest
technical recipes: Assyrian recipes, Greek chemical treatises and the Mappae
clavicula
text family in: D. Ricardo Crdoba de la Llave (ed.) Craft treatises and
handbooks: the dissemination of technical knowledge in the Middle Ages, Universidad de Crdoba press.
Clarke, M. (2009) Alquimia y la tecnologa del arte in:
Kroustalis et al. (eds.)
Fatto darchimia: Historia e Identificacin de los Pigmentos Artificiales en
las Tcnicas Pictricas,
Instituto del Patrimonio Cultural de Espaa.
Clarke, M.
(2009)"The context of the Livro de como se fazem as cores: Late medieval
artists' recipes books (14th-15th centuries)" in: Luis U. Afonso and
Antnio Joo Cruz (eds.), As
Matrias da Imagem: antigos receiturios e tratados portugueses para preparao
de pigmentos aplicados na pintura , Universidade de Lisboa.
Books edited
Clarke, M. and J. Boon (eds.) (2003) MolArt: A multidisciplinary NWO
Prioriteit project on Molecular Aspects of Ageing in Painted Works of Art:
Final report and highlights 1995-2002. Amsterdam:
FOM Institute AMOLF.
Clarke, M. A. Stijnman, J.H. Townsend (eds.) (2005) Art
of the Past — Sources and Reconstructions. London: Archetype Publications.
Other contributions to journals
Clarke, M. (2003)
New science and old books: technical examination of Arab manuscripts in
Dallas Impuls year
32 no. 143 pp. 29-31. (Amsterdam FOM-AMOLF / Stichting
voor Fundamenteel Onderzoek der Materie: Institute for Atomic and Molecular
Physics).
Clarke, M. (2007) Review of: Der Liber illuministarum
aus Kloster Tegernsee Ambix Vol. 54, Part 2, July 2007 pps. 219-221.
Clarke,
M. (2007) Review of: "Artists Pigments 4" and "Natural
Dyes", ICON News, September 2007 pp.33-4.
Clarke, M. (2009) Review of: Medieval Painting in Northern
Europe Studies in Conservation Vol. 53 No. 4 pp.300-1.
Digital resource
Clarke, M. (managing
editor), et al.
(2005, 2008) Winsor & Newton Archive of 19th Century Artists materials. [Database of manuscript recipes for
manufacturing artists materials, including page-images, detailed content
analysis of each recipe, and glossary of terminology.] 1st ed. (2005) 9,500
recipes in 11,000 pages, 2nd ed. (2008) 15,000 recipes in 17,000 pages.
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