After two successful symposia in Amsterdam and Madrid, the ICOM-CC working group Art
Technological Source Research organised its third international symposium, in 2008, in
cooperation with the History of Art Department at Glasgow University, Scotland.
Codicological indicators of practical mediaeval artists' recipes Mark Clarke
Validation of colour vocabulary, or the case of chrysocolla Cecilia Rönnerstam
Copper pigments in medieval times: green, blue, greenish blue or bluish green? Catarina Miguel, Ana Claro, Maria João Melo
Three centuries of documentary sources for tin relief Jilleen Nadolny
Printmakers at work: images of copper engravers and plate printers in their studios, 1560-1645 Ad Stijnman
To challenge the material by one self: the Finnish tradition of reinforced unsaturated polyester by three artists from the 1980s to 1990s. Artists' interviews as documentary source Paivi Kyllonen-Kunnas
Technique and process in the papers of David Smith Richard Mulholland
A la recherché du pigment perdu.. Doris Oltrogge & Hartmut Kutzke
Sources for the study of painting materials in the eighteenth century in Spain: Goya and the royal painters Roc’o Bruquetas Galán
The technical legacy of Sir Anthony Van Dyck, 1641 to 1800, and 'The Practice of Painting and Perspective Made Easy', by Thomas Bardwell (1756) Rica Jones Conservation Department
The MasterÕs own hand'? A study of Rubens's retouching with reference to literary sources and technical examination of his paintings Hélène Dubois
Fine art materials in Vigani's Cabinet, 1704, of Queens' College, Cambridge University Lisa Wagner
Experience and experiment: The eighteenth- century example of the Comte de Caylus and his ÔMémoire sur la peinture ˆ l'encaustique', Geneva, 1755 William Whitney
Studying the Artistic Process: Kupelwieser's Fresco Series ÔHistory of Austria', his written and visual sources Sigrid EybÐGreen, Wolfgang Baatz, Werner Kitlitschka
Oudry's Painted Menagerie. A technical study of selected works from a series of animal portraits by Jean-Baptiste Oudry, with reference to the artist's lectures on painting technique to the French Royal Academy Tiarna Doherty and Alan Phenix, Anna Schšnemann and Adriana Rizzo
En plein soleil: Whistler and nature: documents and realia Erma Hermens and Margaret F. MacDonald
A Dutch manuscript on eighteenth-century painting technique: Willem van Leen Arie Wallert
Art for War: drawing and painting materials and techniques from a Spanish military manuscript manual on cartography (c. XVIII) Stefanos Kroustallis,
Impossible recipes Spike Bucklow
Preliminary report on the documentation ofprimary historical material from a little known Belgian family of artists' colourmen (1865 to the present) Brian Barrett
Study on materials and techniques used in a Romanian illuminated medieval manuscript B.G. Brunetti et al.
Study of a Portuguese 18-th century manuscript Ana Freitas et al
Vault painting of the main hall at Verdala Palace, Malta: Tracing the history of wall paintings through visual documents T Fardi, R De Angelis, B Scicluna
A database on studio practice in 19th century Netherlands Mayken Jonkman, Jeroen Kapelle
Behind the paint C Lamb, R Ellison
Technische Mitteilunger fur Malerei - a German journal (1884-1944) on painting materials and techniques Kathrin Pilz
Making paint without a recipe - Modern paint reconstructionsP Saltmarsh, JJ v/d Berg, A Burnstock
The pigment box of the tile maker Ali Muhammed Isfahani, Iran, 19th century L Troalen et al
The Sri Lanka Masks collection from the National Museums of Scotland: ethnographic and scientific studiesL Troalen & L McGill
(De/Re)-Constructing Turner Joyce Townsend et al
Sources for the study of painting materials in 18th century spain: Goya and the royal painters Rocio Bruquetas Galán
Comparative analysis of painting recipes: a new contribution to the studies of the texts of the Strasburg family Sylvie Neven